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Vintage/Remarkable Pipes

 

Vintage Bagpipes from McGillivray Piping:
Carrying piping's past into the future

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Donald MacPhee, circa 1870s
This set of ebony pipes mounted in ivory and engraved silver was made in Glasgow by Donald MacPhee in the 1870s. His shop would be taken over by Peter Henderson in 1880.

There is something in the mystery of the old instruments that captivates and motivates us. Is the old wood really better? Did the old makers know something we don't? Do musical instruments improve with age? Why do most of the great players play vintage pipes? Who was the greatest maker of all time? How did they do it with no electricity??

These questions and others continue to occupy the thoughts of vintage bagpipe afficionados.

I take pride in acquiring great old pipes. I take great care in their refurbishment and in playing them to determine their musical worth.

I also go to great lengths to make sure vintage bagpipe buyers know exactly what they are getting in terms of make, quality and repairs that have been undertaken.

If you're looking for an old instrument, I hope you'll trust me to help you as those who have written testimonials below have trusted me. If you're not looking for an old set, then please take the time to enjoy my photos and descriptions of bagpipe history below. If you have an old set you would like to part with, please email me.

If you would like to read my comprehensive article on the vintage bagpipe trade, published on pipes|drums in 2010, click here. You may need a subscription to view the article, but a pipes|drums subscription is well worth the modest price."

Scroll down for vintage pipes currently available



About McGillivray Piping Vintage Bagpipes


Working with vintage bagpipes is as much a hobby as a business for me. I enjoy the process of turning up old pipes and making sure they will be played for years to come. I think it is a good thing for piping. As such, I take great care in purchasing, examining and restoring old pipes.

My refurbisher is J. Dunbar Bagpipe Maker.  Not only do they do masterful restorations, they have eagle eyes for examining 150-year-old wood and discovering replacement pieces and flaws that should be addressed before you play the pipes. If a set of pipes has a replacement or repaired piece, you will know about it before you buy.

It is important to note that repairs to cracked pieces are not the bad news one might think. The two greatest woods from which pipes can be made are ebony and cocuswood. Both are tonally superior to blackwood, but they are much less resilient, so it is becoming rare to find pre-1900 pipes in these woods without cracks. An old set that has not been played in years dries out and existing cracks close up and become almost invisible to the average buyer. Thus, when people say they bought a vintage set and a piece cracked when the pipes were played, chances are the crack was there when the pipes were bought. Playing them puts moisture back into the wood, and the crack opens up. By removing the finish from virtually all pipes I acquire, I can uncover and address these problems before you have to! I make sure cracks are found and fixed before the pipes are sold.

"In short, I am delighted with the old pipes. They shall be fine company through the winter, as we prepare for the spring solo season, when I expect they will turn more than a few heads. Thanks again for your help with them, Jim.  Their tone is everything you said it would be."
Eddie Selden, Seabrook, Texas
(circa 1905 silver and ivory cocuswood Hendersons)

While some cracks can be sealed, fixed and rendered nearly invisible by proper  gluing, this is not always a reliable or long-lasting repair technique, particularly with cocuswood and ebony, which don't glue well.

I often employ a traditional and very effective technique called invisible whipping to fix cracks. This entails turning down some of the combing groups on a lathe, gluing the crack, then wrapping it with strong, thin cord that binds that crack closed forever. A mixture of blackwood dust and glue is then applied over the whipping. When this dries, the repairs are turned down, re-combed and polished. The crack will not open again, and there is no effect on the tone of the pipes. The repaired combing is only slightly noticeable as different from the original. The technique is virtually foolproof.

While I have all sets examined carefully for flaws and integrity, I keep my restorations to a minimum. Mounts are reafixed as required, and the wood is stripped and refinished as required. I do whatever is possible to retain all original pieces. I feel it is far preferable for the tonal and historical integrity of the pipes to repair a piece than to replace it.

It is still possible for an otherwise sound vintage pipe to crack once you start playing it. Again, while a disappointment, this is not a tragedy as the pipes can almost always be repaired to their original tone and steadiness. I cannot guarantee vintage pipes against new cracks, but if it happens I will work with you to see it repaired effectively.

If you have any questions about these techniques or would like to talk about vintage pipes available or some of the "coming soon" pipes listed above, please email me.

For more photos of vintage pipes and more information on them, you can go to Ron 'Ringo' Bowen's Bagpipe Museum site. Ron and I have pipe band connections that go back about 30 years and we consult quite closely about pipes.

For even more information on old pipes and pipemakers, consult Jeannie Campbell's superb book, Highland Bagpipe Makers, which I use constantly in my research and descriptions here. Click on the link to purchase it from the shopping cart.

One note about old pipes....  Over the years I've acquired and sold vintage pipes, I've noticed buyers gravitating toward the big names: Henderson, Lawrie, MacDougall. While these are great pipes to be sure, I frequently find 100+ year-old vintage sets that I won't put a name to because I'm just not sure. (Other sellers would do well to be less sure!) Many of these sets are absolutely outstanding instruments, yet they will sit on the site for a year because I haven't put a great name beside them. Finally some adventurous soul will snap them up and is blown away by a gem nobody else wanted. If a set looks attractive to you, and the description suggests they are a great set, email me. Tell me what you propose to use them for and I'll let you know if I think they are suitable. Don't let a real find pass you by just because it doesn't have an obvious pedigree!


"Jim: it was a pleasure working with you and purchasing my vintage pipes. I am also very pleased on your set-up selection that allowed me to play them as soon as I received them. I can't put them down! Your new poly JMcG solo chanter and the reed you selected for me is bright and crisp. I have never played a high A so cleanly and with such little effort. Your advice and patience was very much appreciated. You truly are in the business because of your love for piping!
Hoping to do business with you again."

John F. Shattuck
Andover Ma

 
Invisible whipping
These restored ebony MacDougall drone pieces are from the same set. Distinguishing the invisible-whipped combs from the untouched sections is almost impossible. They are almost perfect.


 

 

Moisture-control for vintage pipes
Moisture control is crucial when playing old pipes.
See the shopping cart at the bottom of this page for more information on these items.

Pipe Case Humidifer   The MP Watertrap
Pipe Case Humidifier
and Hygrometer
  The MP Watertrap



 

Coming soon (currently in refurbishment or in transit):

~circa 1900 ebony Henderson, full ivory, hallmarked plain Sterling slides
 

"Hi Jim: I have been playing the remounted Lawrie set you sold me for almost a month now. It really is an outstanding instrument and I am very happy with it. It has a powerfull, yet round and very pleasent drone sound and great stability. I feel privileged to play a set like that and I will put them to good use, for many years on."
Jens Olsen
Nykoebing, Denmark


New Reproduction models coming soon --
-Donald MacPhee, circa 1870  -- NOW POSTED
~Robertsons, circa 1940 -- NOW POSTED
~David Glen, circa 1890s in cocobola -- NOW POSTED


Pipes currently in stock...

 

REPRODUCTION: "The MacPhee" by Dunbar Bagpipes and Jim McGillivray
Donald MacPhee reproduction

I acquired the original for these pipes some years ago as a Henderson. They had been so identified partly because the tonal qualities were very much Henderson, and partly because the engraved stocks were marked with a PH stamp. The stocks, hallmarked 1952, were clearly later replacments. After I acquired them I noticed the barest remants of a stamp on the chanter. After viewing it under all kinds of lights and magnifiers, I finally deciphered enough letters that the only possible named that filled in the blanks was "D McPhee Glasgow."

Jeannie Campbell tells us that Donald MacPhee was born in 1842, made pipes in Glasgow from 1872 until 1880 and that when he was at his zenith as a player in the early 1870s, Pipe Major Robert Meldrum described him as the best piper in Scotland. As a young man, John MacColl heard him play in 1876 and then saved up money for a year so he could go live in Glasgow and take lessons with MacPhee for three years. MacPhee compiled four seminal books of pipe music -- a tutor, a book of light music and two books of piobaireachd.

Original Donald MacPhee bagpipe
The original Donald MacPhee bagpipe, made in ebony in the 1870s, was long owned by Pipe Major Hector MacLean.


It is not known where he learned pipemaking, but existing examples of his pipes are outstanding.

Unfortunately, he died in 1880 at age 38 of "general paralysis of the insane" -- dementia. His shop was taken over by Peter Henderson, marking the beginning of that fabled pipemaking business.

The original for this reproduction is unusual in appearance for a MacPhee set and may have been made as a presentation or prize set. It is mounted in lightly engraved silver-plated nickel and sports massive ivory projecting mounts and cord guides. It had been owned for many years by Pipe Major Hector MacLean, a stalwart of the Scottish Pipers Assoication and a frequent judge in Scotland during the 1950s and 1960s.

The tone of the original bagpipe is, not surprisingly, very much in the Henderson tradtion -- robust, seamless, with superb bass/tenor balance, excellent chanter blend, and steady as a rock. I believe we have very much captured the essence of this sound in our reproduction, as well as producing a very distinctive looking instrument.

The reproduction pictured here is made in African blackwood, with aluminum alloy ferrules and caps and non-chip artificial ivory projecting mounts. The blowpipe and blowpipe stock are polypenco. The instrument can also be offered in Mexican Royal Ebony. Other mounting options can be discussed.

 

Email me about this reproduction.


As shown, sticks only.
CAD $2,150 plus shipping

Set up to play - Ross Bag, with polypenco MCC2 or JMcG poly chanter, Ezeedrone, Kinnaird Evolution or Canning drone reeds, bag cover, cords.
CAD $2,895  plus shipping
 

Donald MacPhee reproduction Donald MacPhee reproduction Donald MacPhee reproduction Donald MacPhee reproduction
Donald MacPhee reproduction Donald MacPhee reproduction Donald MacPhee reproductions Donald MacPhee reproductions
 


 

Circa 1900 Cocuswood Henderson, new artificial ivory mounts
c1900 Cocuswood Henderson

This lovely cocuswood Henderson came to me with the ivory mounts badly chipped and broken, though the sticks were in fine shape. Profiles and mount shapes suggested a date of manufacture as early as the 1890s.

I had the damaged ivory replaced with Dunbar Bagpipes non-chip artificial ivory. The blowstick stock and chanter stock were cracked and required some invisible whipping. The blowstick was broken beyond repair and was replaced with a poly-lined blackwood blowstick.

Some readers might be familiar with the late John Kidd, an American whose knowledge of acoustics and skill at wooodworking led to his being in demand by pipers to make adjustments to their pipes to improve their tone and steadiness. John rounded out the ends of the tuning pins, rebored the stocks to a conical shape and made all bores perfectly parallel from the top to the bottom of each drone. His clients have included some top players who swear by his work. John's touch is evident on this set.

The pipes display classic, bold Henderson tone and steadiness, suitable for pipers from the bottom to the top of the tree. I'm a big fan of cocuswood. Both of my personal Henderson sets are made of it.

This would make an ideal top-drawer travel set.

Email me about this set.

As shown, sticks, stocks
CAD $4,550 plus shipping

Set up to play - Ross Bag, with poly MCC2 or JMcG chanter, Ezeedrone, Kinnaird Evolution or Canning drone reeds, bag cover, cords.

CAD $5,295  plus shipping


c1900 Cocuswood Henderson c1900 Cocuswood Henderson c1900 Cocuswood Henderson c1900 Cocuswood Henderson
c1900 Cocuswood Henderson c1900 Cocuswood Henderson c1900 Cocuswood Henderson c1900 Cocuswood Henderson
 

 

2014 Engraved Sterling Silver Dunbars, blackwood projecting mounts
2014 Engraved Silver Dunbars, blackwood mounts

This gorgeous bagpipe came to me from a piper downsizing his collection. It is in virtually mint condition.

It was made by Dunbar Bagpipes in 2014 and features David Davidse's (Truehand Engraving) stunning Premium Runic engraving on Sterling silver. The projecting mounts are blackwood.

Dunbar Bagpipes are arguably the best producer of pipes in the Henderson tradition in the world today. The late Jack Dunbar learned his trade in the Henderson shop in Glasgow in the 1940s, and his instruments became an extension of that experience.

Perhaps because the company spearheaded the development of polypenco pipes and sold thousands of sets over several decades, their blackwood instruments have been overlooked. I have worked with the company on reproduction instruments and vintage refurbishments for 10 years now, and believe they are one of the best makers in the world today.

This bagpipe, in the Henderson tradition, is bold and rich, with an all-encompassing bass. When I tested them by plugging the drones into my 1915 Henderson stocks and used my Ezeedrone set, the drones tuned in exactly the same positions as the old set and were equally steady.

This is a superb tonal instrument, and the price I acquired them for allows me to offer them for more than $1,000 below price of a new set.

Email me about this set.

As shown, sticks, stocks, blackwood Dunbar chanter only
CAD $4,450 plus shipping

Set up to play - Ross Bag, with Ezeedrone, Kinnaird Evolution or Canning drone reeds, bag cover, cords.
CAD $5,150  plus shipping


2014 Dunbars, Engraved silver, blackwood mounts 2014 Dunbars, Engraved silver, blackwood mounts 2014 Dunbars, Engraved silver, blackwood mounts 2014 Dunbars, Engraved silver, blackwood mounts
2014 Dunbars, Engraved silver, blackwood mounts 2014 Dunbars, Engraved silver, blackwood mounts 2014 Dunbars, Engraved silver, blackwood mounts 2014 Dunbars, Engraved silver, blackwood mounts
 

 

2010 Reproduction of 1870s J&R Glen, McGillivray/Doucet
Edinburgh Glen reproduction 2010

Back around 2008 I acquired a circa 1870s J&R Glen bagpipe in cocuswood with ivory mounts. It was one of the most stunning tonal instruments I've owned, and I played it for about three years.

In 2010, I began working with Thomas Doucet in Niagara Falls to create a reproduction. I was thrilled with the result. Most were made out of cocobola, similar in appearance to cocuswood.

We called the instrument, "The Edinburgh," after the home town of the Glen families.

Only a couple of sets were made out of African blackwood, and this is one of them. The mounts are holly. The pipes were made in 2010 and appearances would suggest they have hardly been played. They look new.

Thomas and I moved on to other projects within a couple of years and production ceased, so only a limited number of The 
Edinburgh were made. 

The robust J&R Glen tone of the 1800s was quite different from the more subdued David Glen pipe.  This a bold and vibrant sound more reminiscent of Duncan MacDougall, and very steady. The style also makes them a very lightweight instrument on the shoulder.

I have three of these sets in my high school band and am always pleased with how good they sound and how steady they are. This bagpipe is an affordable little gem.


Email me about this set.

As shown, sticks only
CAD $2,450 plus shipping

Set up to play - Ross Bag, with poly MCC2 or JMcG chanter, Ezeedrone, Kinnaird Evolution or Canning drone reeds, bag cover, cords.
CAD $3,150  plus shipping


Edinburgh Glen reproduction 2010 Edinburgh Glen reproduction 2010 Edinburgh Glen reproduction 2010 Edinburgh Glen reproduction 2010
Edinburgh Glen reproduction 2010 Edinburgh Glen reproduction 2010 Edinburgh Glen reproduction 2010 Edinburgh Glen reproduction 2010
 

 

Robertson, circa 1940, full ivory
Circa 1950s Robertson

This is a classic James Robertson set made in Edinburgh, most likely in the years around 1940. The set was in excellent shape, needing only the finish polished, the tuning chambers reamed slightly to even them out, and one hairline under the blowstick stock ferrule invisible whipped.

There are some minor anomalies. One tenor drone stock appears not to be original. It is barely noticeable, and only in the combing. I suspect it's from a different Robertson set. The chanter stock is a perfect match to the rest of the set, except that the ivory ferrule lacks the double scribe-line: again, barely noticeable. The blowstick stock may or may not be a replacement. Again, none of these is visible without very careful examination.

The tone of this set is pure Robertson. He is the most consistent pipemaker I know of tonally. Every single set sounds the same: full, bassy, rich and steady.


Email me
 about this set.

As shown, sticks only
CAD $3,850 plus shipping

Set up to play - Ross Bag, with poly MCC2 or JMcG chanter, Ezeedrone, Kinnaird Evolution or Canning drone reeds, bag cover, cords.
CAD $4,550  plus shipping


Circa 1950s Robertson Circa 1950s Robertson Circa 1950s Robertson Circa 1950s Robertson
Circa 1950s Robertson Circa 1950s Robertson Circa 1950s Robertson Circa 1950s Robertson
 

 

R. G. Hardie, 1963-64, hallmarked engraved Sterling silver, ivory
Silver and ivory Hardie, 1951-52

Bob Hardie and partner John Weatherston always used superb, well-seasoned wood. Their pipes are well made, steady, and easy to reed.

This set is mounted in ivory and engraved silver, hallmarked 1963-64. It is in superb shape. The only repair required to the wood was to seal a crack in the blowpipe stock. The ivory blowpipe bulb was cracked beyond repair and has been replaced by an artificial ivory bulb. The engraved silver sleeve is original.

The set was stripped and refinished and comes with the original Hardie chanter and silver sole. The chanter may well be beyond going well with today's reeds, but its presence is a reflection of how well the pipes have been cared for.

Hardie pipes are sought in many circles for their mellower tone. They do not have overpowering volume but they are extremely steady. 

This is a beautiful set in great condition, perfect for a hobbyist who would like a sparkling and steady high-end bagpipe.

Email me about this set.

As shown, sticks only, and original chanter and sole
CAD $4,950 plus shipping

Set up to play - Ross Bag, with polypenco MCC2 or JMcG chanter, Kinnaird Evolution or Canning drone reeds, bag cover, cords.
CAD $5,695  plus shipping



 

Silver and ivory Hardies, 1951-52 Silver and ivory Hardies, 1951-52 Silver and ivory Hardies, 1951-52 Silver and ivory Hardies, 1951-52
Silver and ivory Hardies, 1951-52 Silver and ivory Hardies, 1951-52 Silver and ivory Hardies, 1951-52
Silver and ivory Hardies, 1951-52

 

Kron Standard model, 1998, blackwood, plain Sterling silver, artificial ivory
Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory

This set came to me as a Kron Heritage set made in 2002, but feedback from customer has sent me back to rethink, and I believe now that it is the original Kron model made prior to the Heritage, which was developed in 2001. The chanter, #229, was made in 1998, and I suspect the pipes were made at this time as well.

The pipes were extremely well crafted, and this model was the standard configuration: plain Sterling silver ferrules and artificial ivory projecting mounts and ring caps. The tone is full and steady. This set is in virtually pristine condition, except for one rice-grain sized chip on one projecting mount.

This would be an excellent work-a-day set for a young competitive player, or an attractive, easy-to-reed and trouble-free pipe for a learner of any age. Another of these sets was sold on the site recently, though a later model.


Email me about this set.

As shown, sticks only with chanter
CAD $2,050 plus shipping

Set up to play with Kron chanter - Ross Bag, Kinnaird Evolution or Canning drone reeds, bag cover, cords.
CAD $2,750  plus shipping


 

Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory
Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory Kron Heritage, 2002, blackwood, plain Sterling silver, artificial ivory
 


 

REPRODUCTION: "The Robbie" by Dunbar Bagpipes and Jim McGillivray
Robertson reproduction

This line of pipes is a reproduction of a set of Robertson pipes made in the 1940s. The original was made of African blackwood and mounted in elephant ivory. It was acquired from former Toronto Police Pipe Major and double Gold Medallist Ian K. MacDonald. I remember well Ian playing these pipes when I was teaching him as a teenager.
 

Original Robertson
This is the original 1940s Robertson cocuswood bagpipe owned by double Gold Medallist Ian K. MacDonald and used for this reproduction.

This reproduction is made from African blackwood. The artificial ivory is non-chip delrin (polypenco). The blowpipe and blowpipe stock are polypenco. It is made by Dunbar Bagpipes in St. Catharines, Ontario. A superb maker, the company undertakes all of my vintage refurbishments and I value their work and professionalism immensely -- a vastly underrated pipemaker. The pipes can also be made in Mexican Royal Ebony.

James Robertson made pipes in Edinburgh from 1908 until his death in 1948, though the company continued until the mid-1960s. His pipes are easily identified by their distinctive 'mushroom' projecting mounts. He is one of the most consistent pipemakers I have enountered in many years of dealing in hundreds of sets of vintage pipes. Pipemakers today speak highly of his superb workmanship.

His pipes are full, rich and extremely steady in the Henderson tradition. 
This reproduction uses the exact tonal measurements from the original Robertson set.  These replica sets come with a one-year guarantee against cracking. 

It should be noted that the Peter Henderson/R. G, Hardie pipemaking company owns the rights to the Robertson name. The name is used here with permission, and the pipes have no connection to those made by the Glasgow firm.

Email me about this reproduction.

As shown, sticks only.
CAD $1,950 plus shipping

Set up to play - Ross Bag, with polypenco MCC2 or JMcG poly chanter, Ezeedrone, Kinnaird Evolution or Canning drone reeds, bag cover, cords.
CAD $2,695  plus shipping

Robertson reproductions Robertson reproductions Robertson reproductions Robertson reproductions
Robertson reproductions Robertson reproductions Robertson reproductions Robertson reproductions
 

 

REPRODUCTION: "The Edinburgh" by Dunbar Bagpipes and Jim McGillivray
Glen reproduction

This line of pipes is a reproduction of an exceptional David Glen bagpipe made in the 1890s. The original was made in cocuswood (David Glen's favoured wood) and mounted in elephant ivory. The reproduction pictured is made in cocobola.

Unfortunately, since this set was made, cocobola has become unavailable. The bagpipe will now be available in Mexican ebony, very similar in appearance and with an exceptional tone, as well as African blackwood.

The artificial ivory is non-chip delrin (polypenco). The blowpipe is polypenco.

The reproduction is made by Dunbar Bagpipes in St. Catharines, Ontario. A superb maker, the company undertakes all of my vintage refurbishments and I value their work and professionalism immensely -- a vastly underrated pipemaker.

Glen original
This is the original 1890s David Glen cocuswood bagpipe used for this reproduction.

David Glen (1853-1916) came from a family of pipemakers that included his father Alexander (1801-1873) and uncles and cousins who formed the J&R Glen pipemaking firm. David's meticulous manufacturing standards and tonal excellence, and his prolific work as a compliler of pipe music have earned him monumental status as a piping figure.

His pipes are rich and steady, and slightly more subdued than the Henderson and Lawrie sets that were coming into form in the late 1800s. This reproduction uses the exact measurements from the original 1890s Glen set. I'm particularly pleased with how steady and easy to reed it is.  
These replica sets come with a one-year guarantee against cracking. 

Email me about this bagpipe.
 

As shown, sticks only
CAD $1,950 CAD plus shipping

Set up to play - Ross Bag, with polypenco MCC2 or JMcG poly chanter, Ezeedrone, Kinnaird Evolution or Canning drone reeds, bag cover, cords.
CAD $2,650  plus shipping

Glen reproduction Glen reproduction Glen reproduction Glen reproduction
Glen reproduction Glen reproduction Glen reproduction Glen reproduction
 

 

 
REPRODUCTION: "The Breadalbane" by Dunbar Bagpipes and Jim McGillivray
The Breadalbane reproduction of a Duncan MacDougall bagpipe


"The Breadalbane" is a reproduction of a bagpipe made by Duncan MacDougall around 1880. The name comes from the stamp he used on his pipes during the time he lived on the Breadalbane estate at Taymouth Castle during the 1870s and early 1880s. Pipes he made at this time were stamped "D McDougall, Breadalbane."

I purchased the original bagpipe from a well known Scottish piping figure, the late Allan Beaton. He actually purchased it from the Taymouth Castle estate where it had resided for as long as anyone can remember.

This reproduction is made by Dunbar Bagpipes in St. Catharines, Ontario, a superb pipemaking firm founded by Jack Dunbar in the 1960s. Jack learned his trade at the Henderson shop in the 1940s.

These sets are currently made from high-quality blackwood that was harvested in 2005-6. The projecting mounts are of holly, the metal mounts are aluminum, hand-engraved by David Davidse of Truehand Engraving. Both craftsmen have captured superbly the lines and shapes of the original pipes.

Like the original, the tone is rich and subtle -- neither booming like a Henderson pipe nor subdued like David Glen's. The classic, enveloping Duncan MacDougall bass drone sound has been captured beautifully.


"The Breadalbane reproduction arrived. It is the best sounding pipe that I have ever bought. Odd, I've been experimenting with pipes for a while and were told that my sets sounded similar to MacDougalls. I now see what people meant.  Great sounding set. I would recommend them to anyone who is looking for a sound that is a cut above the rest. My hat is off to Rick Pettigrew at Dunbar and Jim McGillivray for bringing this into existence."
Stephen Anderson, Louden, TN


As pictured below, the bagpipe can also be fitted with closed, beaded aluminum ferrules, beaded ring caps and plain aluminum slides. ("Beaded" refers to the metal ring encircling one end of the ferrule or the bottom of the ring cap.) The bagpipe is also available with full holly mounts. The blowpipe is blackwood with a wide bore and polypenco lining to prevent splitting of the wood.

Original 1880s Breadalbane MacDougall
This is the original 1880s Breadalbane MacDougall bagpipe used in this reproduction.


These replica sets come with a one-year guarantee against cracking. Use the mp3 player below to hear Jim McGillivray play part of the piobaireachd "MacIntosh's Banner" on a "Breadalbane" bagpipe:


Email me about this set.

As shown in photo above, sticks only
CAD $2,700 plus shipping

Full holly mounts, sticks only
CAD $2,520 plus shipping

With beaded ferrules and caps, plain aluminum slides, sticks only
CAD $3,295 plus shipping

Unbeaded ferrules as shown in photo above, set up to play - Ross Bag, MCC2 McCallum poly chanter, Canning or Kinnaird Evolution drone reeds, bag cover, cords.
CAD $3,495  plus shipping


Full holly mounts, set up to play
CAD $3,235 plus shipping


With beaded ferrules and caps, plain aluminum slides, set up to play
CAD $3,935 plus shipping


McGillivray Piping Inc. is not associated with Mr. David Atherton or Atherton Bagpipes, and neither company sponsors or endorses the products of the other.
 

Breadalbane drones, end view
Breadalbane drones, side view
Breadalbane drones, bottom view
Bottom projecting mounts
Breadalbane tenor drones Close-up of hand-engraved aluminum ferrules
Bells and drone tops
Projecting mounts close
Engraved drone caps with holly bushes Stocks Wood and combing close-up  
Below are photos of the Breadalbane option with beaded, closed drone ferrules, beaded ring caps, and plain aluminum tuning slides.
The Breadalban option with beaded ferrules and rings and plain aluminum slides. Breadalbane beaded with plain slides, holly projecting mounts Beaded ferrules, plain slides Closed ferrules on tuning chambes
Below are photos of the Breadalbane option in full holly.

Fully-holly mounted Breadalbane

 

Holly-mounted Breadalbane Holly ring caps, bushes

Holly tenor ferrules

 

The Breadalbane in full artificial ivory.
Breadalbane artificial ivory

 

"These pipes are a revelation to me.  I've heard pipes described poetically before; about ease of play; about drones "locking in" and staying tuned, and so on. But I never really understood until now. These pipes WANT to be in tune. They're easy to tune and they stay that way. I'm not the steadiest blower (yet) but these drones stay solid. The sound is beautiful and the vibration on the shoulder is great. They are everything you said they were."
Bruce Landay, Andover, Massachusetts
(early cocuswood Thows)

 

"If you recall, a few months back I purchased a vintage set of David Glen pipes from you. The warm and mellow tone is exactly what I was hoping for. They are easy to play and I'm able to concentrate on blowing tone. Once I have them locked in, they really do sing. Comments on my score sheets have gone from 'harsh tone' to 'excellent harmonics', 'excellent instrument for this grade', 'bright and consonant pipe'.  As a player, I now feel that the onus is on me to improve my playing up to the level of the instrument, something that wasn't happening with my old setup.  This is the kind of motivation I was looking for. So thanks for the transaction. It was easy and I'm thankful for the great communication that we had via email throughout the process.  It was a pleasure doing business with you."
Matthew Wilson
Averill, New York

 

"This is the 5th set of silver and ivory pipes I have had and by far this is the nicest set, Jim!!! They are stunning!!!"
P/M Bill McFarlane, Ft. Lauderdale Highlanders Pipe Band, Florida
(1935 silver and ivory Lawries)


"I just played the pre-1916 Thows.  Outstanding set.  Very warm.  I had a set of Rocket reeds that SFU plays and plugged them in.  It brought the tuning right at the hemp line.  I must say they are one of the best sets I have played."
Evan Mackay
Carlsbad, CA


"You have definitely become the world's number one source for anyone looking to sell or acquire vintage bagpipes."
Troy Guindon, St. Andrews West, Ontario
(1914 silver and ivory Lawries)

 

"I must say that doing business with you has been a real pleasure.  In dealing with something as unique as vintage bagpipes  there’s always some degree of uncertainty involved. However, I can say without  any reservations that the two sets I have purchased from you have been top notch. I couldn’t be more pleased. You have been most helpful and very knowledgeable.  I’m sure we will do business again in the future."
Tom Bauman, Fallbrook, CA

 


 

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This is the best pipe case humidifier I have found. I use it in my own pipe cases, and I use one in each of the individual storage boxes in which I store my stock of vintage pipes. It measures about 4 inches long and requires additional refilling every week or so, depending on conditions. More information.....Humidifier, hygrometer and replacement gel, CAD $54.50.
Moisture control is crucial for pipers, and especially for pipers playing old wood. This is a specially constructed tube watertrap made to fit in the bottom of the blowstick stock. More information.... Cdn $35
Products 1 - 2 of 2 Page: « 1 »